Seismic Shifts

Wall label, catalogue, and notes

Description

The formal artwork description for Seismic Shifts — for wall labels, catalogues, and program notes.

Wall label

Seismic Shifts · 2026
Ravi Vasavan
Software, microphone, screen; ink on A0 paper.

A two-part seismogram. A digital trace listens to the room and draws its acoustic energy as a single, slowly scrolling line. A hand-drawn companion sets that small reading inside a longer arc — 65,000 years of Aboriginal sign languages, including Warlpiri and Yolngu, pockmarked by the seismic moments that have shaped and unmade Deaf life and signed languages.

A room has presence, with or without anyone to hear, see, or feel it. A language has presence, with or without an institution willing to recognise it.

For both Deaf and hearing audiences.

Catalogue entry

Seismic Shifts · 2026
Ravi Vasavan
Software, microphone, screen; ink on A0 paper.

The work is a two-part seismogram. A digital trace listens to the room and draws its acoustic energy as a single, slowly scrolling line — one mic, one line, one slow scroll. A hand-drawn companion piece sets that small reading inside a much longer arc: 65,000 years of Aboriginal sign languages, including Warlpiri, Yolngu, Arandic and others, pockmarked by the seismic moments that have shaped — and unmade — Deaf life and signed languages.

That longer trace runs from the deep continuity of Aboriginal sign languages, through the years before the 1880 Milan Congress, the suppression of signed languages in deaf education that followed, and the eugenics of Alexander Graham Bell and his contemporaries. Across that arc, Deaf existence and signed languages plummet below the historical baseline and have not, even now, recovered.

The claim is that what is recorded is real: a room has presence, with or without anyone to hear, see, or feel it; a language has presence, with or without an institution willing to recognise it. The piece is for both Deaf and hearing audiences.

No audio is captured, stored, or recoverable. Only one number per second — the room's acoustic shape over time — drives the digital trace. It is equivalent to a barometer recording air pressure.

Notes on the diptych

The long arc — what it shows

The vertical axis is presence. Above the baseline: Deaf life and signed languages held as a celebrated, transmitted feature of human community. Below: suppressed. The baseline itself is the deep historical norm — 65,000 years of continuous signed-language presence on this continent and others, long before any institution thought to record it.

The trace runs at-baseline through the deep past. It rises modestly through the Western institutional period of the 18th and 19th centuries. It plummets at the 1880 Milan Congress. It deepens through the eugenics era of Alexander Graham Bell and his contemporaries — the 1907 Indiana sterilisation law, Australian assimilation policies, the 1933 Nazi sterilisation law and Aktion T4. It begins climbing again in 1960 with William Stokoe's demonstration that ASL is a natural language; it continues through the naming of Auslan, Deaf President Now, the recognition of NZSL, and the ICED's 2010 apology for the Milan resolutions. In 2026 it is rising. It is not yet at the line it left.

The right ten per cent of the page is intentionally blank. The trace has not been drawn there yet.

For the visualisation itself — pannable, zoomable, with adjustable detail — see The Arc.

Timeline

Drafted 2026-05-06 · revise as the work develops